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In any event, the final decision of death or life belonged to the editor, who signalled his choice with a gesture described by Roman sources as pollice verso meaning "with a turned thumb"; a description too imprecise for reconstruction of the gesture or its symbolism. An outstanding fighter might receive a laurel crown and money from an appreciative crowd but for anyone originally condemned ad ludum the greatest reward was manumission (emancipation), symbolised by the gift of a wooden training sword or staff (rudis) from the editor. The Zliten mosaic in Libya (circa 80–100 AD) shows musicians playing an accompaniment to provincial games (with gladiators, bestiarii, or venatores and prisoners attacked by beasts). Even among the ordinarii, match winners might have to fight a new, well-rested opponent, either a tertiarius ("third choice gladiator") by prearrangement; or a "substitute" gladiator (suppositicius) who fought at the whim of the editor as an unadvertised, unexpected "extra". In late Republican munera, between 10 and 13 matches could have been fought on one day; this assumes one match at a time in the course of an afternoon. The gladiators may have held informal warm-up matches, using blunted or dummy weapons—some munera, however, may have used blunted weapons throughout.
By the 1st century BC, noxii were being condemned to the beasts (damnati ad bestias) in the arena, with almost no chance of survival, or were made to kill each other. Modern customs and institutions offer few useful parallels to the legal and social context of the gladiatoria munera. Remains of a Pompeian ludus site attest to developments in supply, demand and discipline; in its earliest phase, the building could accommodate 15–20 gladiators. As most ordinarii at games were from the same school, this kept potential opponents separate and safe from each other until the lawful munus. Novices (novicii) trained under teachers of particular fighting styles, probably retired gladiators. The city of Rome itself had four; the Ludus Magnus (the largest and most important, housing up to about 2,000 gladiators), Ludus Dacicus, Ludus Gallicus, and the Ludus Matutinus, which trained bestiarii.

  • The climax of the show which was big for the time was that in three days seventy four gladiators fought.
  • By the 1st century BC, noxii were being condemned to the beasts (damnati ad bestias) in the arena, with almost no chance of survival, or were made to kill each other.
  • Throughout the empire, the greatest and most celebrated games would now be identified with the state-sponsored imperial cult, which furthered public recognition, respect and approval for the emperor's divine numen, his laws, and his agents.
  • Augustus, who enjoyed watching the games, forbade the participation of senators, equestrians and their descendants as fighters or arenarii, but in 11 AD he bent his own rules and allowed equestrians to volunteer because "the prohibition was no use".
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  • In the next century, Augustine of Hippo deplored the youthful fascination of his friend (and later fellow-convert and bishop) Alypius of Thagaste, with the munera spectacle as inimical to a Christian life and salvation.
  • In the late Republican era, a fear of similar uprisings, the usefulness of gladiator schools in creating private armies, and the exploitation of munera for political gain led to increased restrictions on gladiator school ownership, siting and organisation.

Next came the ludi meridiani, which were of variable content but usually involved executions of noxii, some of whom were condemned to be subjects of fatal re-enactments, based on Greek or Roman myths. Official munera of the early Imperial era seem to have followed a standard form (munus legitimum). Left-handed gladiators were advertised as a rarity; they were trained to fight right-handers, which gave them an advantage over most opponents and produced an interestingly unorthodox combination.

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Legislation by Claudius required that quaestors, the lowest rank of Roman magistrate, personally subsidise two-thirds of the costs of games for their small-town communities—in effect, both an advertisement of their personal generosity and a part-purchase of their office. The earliest munera took place at or near the tomb of the deceased and these were organised by their munerator (who made the offering). In the Byzantine Empire, theatrical shows and chariot races continued to attract the crowds, and drew a generous imperial subsidy. By this time, interest in gladiator contests had waned throughout the Roman world.

Combat

Even the most complex and sophisticated munera of the Imperial era evoked the ancient, ancestral dii manes of the underworld and were framed by the protective, lawful rites of sacrificium. During the Civil Wars that led to the Principate, Octavian (later Augustus) acquired the personal gladiator troop of his erstwhile opponent, Mark Antony. A career as a volunteer gladiator may have seemed an attractive option for some. Roman military discipline was ferocious; severe enough to provoke mutiny, despite the consequences. The dearth of freemen necessitated a new kind of enlistment; 8,000 sturdy youths from amongst the slaves were armed at the public cost, after they had each been asked whether they were willing to serve or no.

  • The Spartacus revolt had originated in a gladiator school privately owned by Lentulus Batiatus, and had been suppressed only after a protracted series of costly, sometimes disastrous campaigns by regular Roman troops.
  • High status non-Romans, and possibly Romans too, volunteered as his gladiators.
  • Opposite him on the field, Vitellius's army was swollen by levies of slaves, plebs and gladiators.
  • The Gladiator Mosaic in the Galleria Borghese displays several gladiator types, and the Bignor Roman Villa mosaic from Provincial Britain shows Cupids as gladiators.
  • No such stigma was attached to a gladiator owner (munerarius or editor) of good family, high status and independent means; Cicero congratulated his friend Atticus on buying a splendid troop—if he rented them out, he might recover their entire cost after two performances.

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For enthusiasts and gamblers, a more detailed program (libellus) was distributed on the day of the munus, showing the names, types and match records of gladiator pairs, and their order of appearance. Most of his performances as a gladiator were bloodless affairs, fought with wooden swords; he invariably won. Commodus was a fanatical participant at the ludi, and compelled Rome's elite to attend his performances as gladiator, bestiarius or venator. Some regarded female gladiators of any type or class as a symptom of corrupted Roman appetites, morals and womanhood. Cassius Dio takes pains to point out that when the much admired emperor Titus used female gladiators, they were of acceptably low class. Roman morality required that all gladiators be of the lowest social classes, and emperors who failed to respect this distinction earned the scorn of posterity.

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As a soldier committed his life (voluntarily, at least in theory) to the greater cause of Rome's victory, he was not expected to survive defeat. As Wiedemann points out, December was also the month for the Saturnalia, Saturn's festival, in which death was linked to renewal, and the lowest were honoured as the highest. They included a provincial magnate's five-day munus of thirty pairs, plus beast hunts. Many, if not most, involved venationes, and in the later empire some may have been only that.
The amphitheatre munus thus served the Roman community as living theatre and a court in miniature, in which judgement could be served not only on those in the arena below, but on their judges. Petitions could be submitted to the editor (as magistrate) in full view of the community. From across the stands, crowd and lanista editor could assess each other's character and temperament. Their seating tiers surrounded the arena below, where the community's judgments were meted out, in full public view.
So the gladiator, no matter how faint-hearted he has been throughout the fight, offers his throat to his opponent and directs the wavering blade to the vital spot. For death, when it stands near us, gives even to inexperienced men the courage not to seek to avoid the inevitable. Once a band of five retiarii in tunics, matched against the same number of secutores, yielded without a struggle; but when their death was ordered, one of them caught up his trident and slew all the victors. By common custom, the spectators decided whether or not a losing gladiator should be spared, and chose the winner in the rare event of a standing tie. Martial describes a match between Priscus and Verus, who fought so evenly and bravely for so long that when both acknowledged defeat at the same instant, Titus awarded victory and a rudis to each.

Few gladiators survived more than 10 contests, though one survived an extraordinary 150 bouts; and another died at 90 years of age, presumably long after retirement. A gladiator might expect to fight in two or three munera annually, and an unknown number would have died in their first match. Having no personal responsibility for his own defeat and death, the losing gladiator remains the better man, worth avenging.

Gladiator

It was inaugurated by Titus in 80 AD as the personal gift of the Emperor to the people of Rome, paid for by the imperial share of booty after the Jewish Revolt. Martial wrote that "Hermes a gladiator who always drew the crowds means riches for the ticket scalpers". Even after the adoption of Christianity as Rome's official religion, legislation forbade the involvement of Rome's upper social classes in the games, though not the games themselves. Augustus, who enjoyed watching the games, forbade the participation of senators, equestrians and their descendants as fighters or arenarii, but in 11 AD he bent his own rules and allowed equestrians to volunteer because "the prohibition was no use". Caesar's munus of 46 BC included at least one equestrian, son of a Praetor, and two volunteers of possible senatorial rank. When a gladiator earned their freedom or retirement, they were given a wooden rudis sword to signify proof of their freedom from slavery.

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